Da Feira Ao Baile

A Staatliches-Bauhaus (literalmente, casa estatal da construção ou "casa construída" - há controvérsias quanto à tradução - mais conhecida simplesmente por Bauhaus ) foi uma escola de design , artes plásticas e arquitetura de vanguarda que funcionou entre 1919 e 1933 na Alemanha . A Bauhaus foi uma das maiores e mais importantes expressões do que é chamado Modernismo no design e na arquitetura , sendo a primeira escola de design do mundo. A escola foi fundada por Walter Gropius em 25 de abril de 1919, a partir da reunião da Escola do Grão-Duque para Artes Plásticas . A intenção primária era fazer da Bauhaus uma escola combinada de arquitetura, artesanato , e uma academia de artes, e isso acabou sendo a base de muitos conflitos internos e externos que se passaram ali. A maior parte dos trabalhos feitos pelos alunos nas aulas-oficina foi vendida durante a Segunda Guerra Mundial . Gropius pressentiu que começava um novo período da história com o fi

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PARIS — On a gray Sunday morning in Paris, when there is little traffic and the only signs of life on the streets are a few ambitious joggers, an excursion to the suburb of Saint-Denis for the Kenzo show did not sound so bad. The designers, Carol Lim and Humberto Leon, had set up their runway in a glass-ceilinged hall the size of a railway station in La Cité du Cinéma, a film studio complex recently opened by the director Luc Besson. At the entrance is a trailer-size model of the Brooklyn Bridge. And there were cookies. Related T Magazine: Model-Morphosis | Ysaunny Brito at Kenzo (September 29, 2013) T Magazine: Backstage Beauty Report | Wave-Inspired Eyelids at Kenzo (September 29, 2013) T Magazine: Model-Morphosis | Kel Markey at Carven (September 26, 2013) T Magazine: The Scene | Paris Fashion Week: Isabel Marant (September 28, 2013) The Collection: A Fashion App for the iPad A one-stop destination for Times fashion coverage and the latest from the runways. Download It From the App Store Follow Us on Twitter Follow @NYTfashion for fashion, beauty and lifestyle news and headlines. Bridging cultures, often between home and abroad, has become a signature of Ms. Lim and Mr. Leon, also the owners of Opening Ceremony. Their spring collection for Kenzo sought to meld California beach style with Paris tailoring, along with an ecological message this season of preserving marine life. Their collection included two-piece looks in crisp cotton, minis, pants and jackets with blue-green scribbles or wavy hems that reflected the ocean, as well as a tunic made of embroidered fish (the clear winner of the show) and another black suit printed with yellow fish that looked somewhat Japanese. A short-sleeve top was marked up with a hastily drawn message, “No Fish, No Nothing,” a reminder of the dangers of overfishing. Their idealism is endearing, if not a little naïve. Just imagine the younger versions of the designers, when they were pals at Berkeley, signing up for Earth Club and wearing the same tie-dye T-shirts for weeks on end. But the fashion audience is cynical. More than one guest observed that considering the dozens of black Mercedes-Benz coupes idling outside, and the gasoline it took to chauffeur the editors back and forth from the city, the message was mixed. Isabel Marant’s collection had a lacy lingerie theme, with miniskirts of layered lace worn with tailored black jackets, the sleeves smushed up to the elbows, providing a sharp contrast between the hard and soft that is a hallmark of French chic. At one moment there was a baby-doll top and shorts made of nearly transparent lace, and the next, killer black leather pants (another version was shown in white lace) with lacing at the waist and ankles. Some of the outfits looked as tough as a woman in a football uniform. For a more sugary sweet vision, there was Guillaume Henry of Carven, whose best looks were camouflage coats and dresses with wraparound tops in bonbon pastels, with cutouts of vivid wallpaper roses appliquéd along the sides. Carven targets a younger audience, but Mr. Henry’s approach is sophisticated, sometimes even challenging in his proportions, as with a series of oversize or elongated jeans jackets that looked a little stiff. Among the contemporary designers showing in Paris, Acne Studios from Sweden took the simplest approach, with breezy white cotton jackets that resembled peacoats and a dress made of leather that was cut with slits like a paper ornament. By coincidence, Jonny Johansson, the creative director, had also played with a nautical theme. He included a fisherman’s rain slicker in a yellow papery fabric and a denim sailor dress, so, suffice it to say, he is probably not worrying about the fate of the fish.

PARIS — On a gray Sunday morning in Paris, when there is little traffic and the only signs of life on the streets are a few ambitious joggers, an excursion to the suburb of Saint-Denis for the Kenzo show did not sound so bad. The designers, Carol Lim and Humberto Leon, had set up their runway in a glass-ceilinged hall the size of a railway station in La Cité du Cinéma, a film studio complex recently opened by the director Luc Besson. At the entrance is a trailer-size model of the Brooklyn Bridge. And there were cookies. Related T Magazine: Model-Morphosis | Ysaunny Brito at Kenzo (September 29, 2013) T Magazine: Backstage Beauty Report | Wave-Inspired Eyelids at Kenzo (September 29, 2013) T Magazine: Model-Morphosis | Kel Markey at Carven (September 26, 2013) T Magazine: The Scene | Paris Fashion Week: Isabel Marant (September 28, 2013) The Collection: A Fashion App for the iPad A one-stop destination for Times fashion coverage and the latest from the ru